Ɗan kallo kaɗan a cikin wasu ayoyin Alƙur'ani yana nuna nan take cewa an yi amfani da nau'o'in salon adabi iri-iri a cikinsa. Amfani da nau'o'in salon adabi iri-iri ba wai kawai yana ba da gabatarwa mai kyau ko ado da ke burge mai karatu ko mai sauraro ba ne, a'a, yana isar da saƙon musamman na Alƙur'ani ta hanya mafi tasiri. Kamar yadda aka ambata a babi na baya, manufar Alƙur'ani ita ce ja-gorantar mutum a fannoni uku: a dangantakarsa da Allah, da kansa, da kuma al'ummar ɗan adam da yake rayuwa a cikinta. Wannan manufa tana shiga kowace aya da kowane sura, tun daga farkon Alƙur'ani har zuwa aya ta ƙarshe a sura ta ƙarshe, mai lamba ɗari ɗaya da goma sha huɗu. Saboda haka, an yi amfani da nau'o'in salon adabi iri-iri don isar da wannan saƙo ga mai karatu ba tare da ya zama mai maimaitawa ko kamar mai gajiyarwa ba.

A brief glimpse through a few of the Qur’aan’s passages immediately reveals that a wide variety of literary forms have been employed in it. The utilization of a variety of literary forms does not simply provide a flowery or elaborate presentation which dazzles the reader or listener, but conveys the unique message of the Qur’aan in the most effective way. As was mentioned in a previous chapter, the aim of the Qur’aan is essentially the guidance of man in three spheres: in his relationship with God, with himself, and with the human society in which he exists. This aim permeates every verse and chapter from the beginning of the Qur’aan until the last verse of its last chapter, number one hundred and fourteen. Thus a variety of literary forms were used to bring this message home to the reader without being monotonous or seemingly repetitious.